IDOLATRY
by
GODDEXX

***
CHAPTER 1: YOU WILL DEVOUR ME GLADLY
SCENE 1:INT CAMERA MOVES FROM HIGH ISOMETRIC VIEW TO A LOWER
CENTRAL VIEW WITH THE SCREEN RIGHT CENTERED IN FOCUS.

A SCREEN OF A DEVICE DISPLAYING VARIOUS KINDS OF FEMININE
BODIES IS FLASHING AND SHOWING PICTURES IN ORDER AND ARE
RATED ONE BY ONE BY AN OFF SCREEN VOICE ON A SCALE OF ONE TO
TEN. AS THIS CONTINUES, INTERCUTS OF WASPS DRAGGING A BODY
IS SHOWN AND THEY SWARM AROUND IT VIOLENTLY TO EAT IT. THE
FEMININE BODIES BEING DEPICTED ON THE SCREEN SLOWLY GROW
MORE ALIEN AND MENACING LOOKING AS THE VOICE RATES THEM AND
APPEARS TO SOUND MORE INTRIGUED AND TURNED ON BY THEIR
SHOCKING APPEARANCE.

SCENE 2:INT MEDICAL ROOM VERY STERILE AND COLD, A 70 DEGREE
WIDE ANGLE SHOT, WITH HANDS AS THE FOCAL POINT.

A FEMININE BODY IS BEING SLOWLY DEVOUREDD BY SOMEONE, THEY
HAVE SURGICAL GLOVES ON BUT THAT'S ALL WE SEE OF THEM. THEIR
HANDS SLOWLY MOVING UP AND DOWN THE BODY VOYEURISTICALLY,
TAKING PIECES OF THE BODY AND PUTTING THEM IN THEIR MOUTH.
AS THE EXAMINER WORKS THEIR HANDS UP AND DOWN THE BODY, THE
FACE OF IT OPENS UP SHOWING GLOWING INSIDES. THE CAMERA
MOVES IN AS THE LIGHTS GET BRIGHTER AND ENGULFS THE SCREEN
IN WHITE .AS THIS SEQUENCE OCCURS A VOICE OVER OF AN AI
BEGINS READING QUARTERLY PROJECTIONS AND PROFITS TO THE
BOARD OF DIRECTORS AT CEDRIC'S COMPANY OCCURS.

AI: The SENSE feed is showing that
our profits are up by one-hundred
and fifty percent just this quarter
alone. By comparison, our nearest
competition in pleasure
pharmaceuticals and devices is only
calculating profits in the fifty
percent range. Our newest pleasure
drug FORMANT accounts for a full
thirty-three percent of profits in
this quarter. Should these trends
continue, our company will become
the most profitable company on the
planet within the year.



SCENE 3:INT BOARD ROOM WITH HOLOGRAPHIC OVERLAYS AND AN
OBSIDIAN TABLE. CAMERA STARTS HIGH AND THEN ENDS UNDER THE
TABLE SLIGHTLY.

THE CAMERA CUTS TO A ROOM WITH CEDRIC AND THE BOARD IN IT.
THEY APPEAR TO HAVE NO EYES AS THE TECHNOLOGY THEY USE TO
RECEIVE THE REPORTS OBSCURES THEIR VISION AS IT BEAMS A
HOLOGRAPHIC DATA MATRIX DIRECTLY THROUGH THE EYES AND INTO
THE BRAIN. WITH HIS EYES STILL VOIDED, CEDRIC STANDS UP AND
ROUSES THE BOARD WITH A SEEMINGLY INTENSE SPEECH AND ONE OF
THE BOARD MEMBERS SECRETLY TOUCHES HIMSELF DURING THE SPEECH
WHILE HOPING NONE OF THE OTHER BOARD MEMBERS WITNESS IT. AS
THE SPEECH BECOMES MORE INTENSE, THE BOARD MEMBERS BEHAVE
ANIMALISTICALLY, CLEARLY GETTING OFF ON THE IDEA OF HOW MUCH
MONEY AND POWER THEY ARE OBTAINING. THE SCENE ENDS WITH LOUD
ANIMALISTIC SOUNDS IN CRESCENDO.

SCENE 4:EXT NATURE STYLE DISCONNECTED SHOTS.

FOOTAGE OF WASPS CRAWLING AND THEN FLYING OUT OF THEIR HIVE
IS SHOWN, THEY FOLLOW A TRAIL OF SURREAL COLORS INTO A
BUILDING FILLED WITH RED LIGHT PLEXGLASS CAGES. AS THEY ARE
TRAPPED ONE BY ONE, A SUPERIMPOSED IMAGE OF A LARGE,
UNNATURAL SMILE IS SHOWN OVER THE FOOTAGE.


CHAPTER 2: DROP
SCENE 5:EXT WIDE SIDE SHOT OF THE CHARACTERS WALKING 25
DEGREES OFF CENTER.

CEDRIC AND A FEW OF HIS FRIENDS ARE GOING TO AN EXCLUSIVE
SPA RUN BY A PROXY COMPANY OF HIS. INSIDE THERE ARE BEDS
THAT INJECT PLEASURE DRUGS INTO CUSTOMERS AND THEY
EXPERIENCE VIVID, DREAM LIKE HALLUCINATIONS OF UNCONCIOUS
DESIRES THEY HAVE. ON THE WAY THERE, CEDRIC AND HIS FRIENDS
HAVE A CONVERSATION THAT GOES UNHEARD. CEDRIC LOOKS UNHAPPY,
BUT IS TRYING TO HIDE IT FROM HIS FRIENDS, ALBEIT POORLY.
BEFORE CEDRIC CAN ENTER THE SPA HIS CLASS IMPLANT
MALFUNCTIONS AND FOR A BRIEF MOMENT HE CAN SEE ALL THE POOR
PEOPLE THE IMPLANT NORMALLY BLOCKS OUT. HE FOCUSES ON A
WOMAN SCREAMING IN THE DISTANCE, HE BEGINS TO BECOME
OVERWHELMED AS ALL THE NOISE OF LIVES HE IS SHELTERED FROM
POUR IN AND JUST AS HE STARTS TO BE OVERCOME, THE IMPLANT
SWITCHES BACK ON. HE ENTERS THE SPA, SHAKEN.


SCENE 6:INT OF SPA OVERHEAD SHOT AS ACTORS DISPERSE.


CEDRIC'S TWO FRIENDS ARE GUIDED TO THEIR INDIVIDUAL SPAS
AND THEN FINALLY CEDRIC HIMSELF IS GUIDED INTO ONE. INSIDE
THE SPA ROOM, THEIR IS A BED THAT HAS MULTIPLE NEEDLE LIKE
PROTRUSIONS ON IT. CEDRIC IS GENTLY LAID DOWN ON IT BY A SPA
EMPLOYEE AND AFTER PREPARATION IS LEFT ALONE TO HALLUCINATE.
HIS HALLUCINATION IS HIM DURING A RAVE AS SOMEONE BEGS HIM
TO DROP AND DANCE.THEY SLOWLY BEGIN STICKING THEIR HANDS
INTO HIS CHEST, THEY ARE SWALLOWED SLOWLY BY THE GAP IN HIS
RIBS. BUTTERFLIES MADE OF CRYSTAL FLOAT AROUND HIM AND THE
ROOTS OF A FLOWER GROW OUT OF HIS RIBCAGE AFTER THE PERSON
IS FULLY ABSORBED. THE BUTTERFLIES LAND ON THE FLOWERS
COMING OUT OF HIM AND IT RAINS LIGHT. HIS BODY SLOWLY
TRANSFORMS INTO A GENDERLESS ALIEN LIKE STRUCTURE, WHILE THE
BUTTERFLIES DRINK NECTAR OUT OF HIM. HE FEELS AS IF HE WANTS
TO CRY BUT CANNOT FIND THE RIGHT EMOTIONS TO MAKE IT
HAPPEN.AS HE WAKES UP, HIS HANDS SLOWLY MOVE UP AND DOWN HIS
BODY AS IF FEELING FOR THE BODY HE HAD IN THE
HALLUCINATION.IN THE BACKGROUND SOMEWHERE IN THE SPA, HE
HEARS SOMEONE ASKING, "WHAT DO YOU WANT ME TO BE?"




CHAPTER 3: BECOME

SCENE 7:INT RED ROOM IN CLINICAL SETTING WITH PLEXIGLASS
CAGES FOR THE WASPS.CAMERA AT DUTCH ANGLE FACING RIGHT.

IN A RED ROOM SOMEWHERE THE FACE OF AN UNFINISHED ANDROID
IS RECITING IT'S DESIRABILITY PHRASES.THE ANDROID SEEMS TO
BE PULLED FROM A RED LIQUID MASS SURROUNDED BY STRANGE
LOOKING GEARING, OCCUPYING A HORRIFYING MECHANICAL FORM.THE
ANDROID CONTINUES TO SAY THE PHRASES WHILE A CAMERA SCANS
IT'S "FACE"."WHAT DO YOU WANT ME TO BE?" A WAILING SOUND IN
THE DISTANCE CAN BE HEARD AND THE ANDROID STOPS IT'S
DIAGNOSTIC CHECK, IT LOOKS OFF TO A PLEXIGLASS CAGE, TILTING
IT'S HEAD IN SEEMING CURIOSITY. IT WATCHES AS A TECH OPENS A
CAGE AND SPRAYS SOME CHEMICALS ON A WASP, THE TECH WHISPERS
SOMETHING TO THE WASP AND IT GROWS WINGS AND FLIES OFF TO
SOME UNKNOWN PLACE. THE ANDROID WATCHES THEM LEAVE THE
STAGING AREA AND UNCONCIOUSLY HER FACE TRIES TO MIMIC THE
WASPS EXPRESSIONS.


SCENE 8:INT SIDE "MODEL" STYLE SHOT ISOLATED AND DARK.


AN UNNAMED WASP AND UNNAMED TECHNICIAN ARE HAVING INTENSE
AND VISCERAL SEX.THEIR MOVEMENTS APPEAR TO DISTORT AS THEY
BECOME MORE ENTANGLED AND CONNECTED WITH ONE ANOTHER. THE
WASP BEGINS TO YELL CERTAIN PHRASES THAT IT'S BEEN TAUGHT TO
SAY DURING SEX.


SCENE 9:INT CEDRICS HOME OVERHEAD TO SIDE WIDE SHOT OF ACTOR
AS BED TRANSFORMS TO OCEAN.

A FEW DAYS LATER CEDRIC WAKES UP FROM HIS HOUSE AND LOOKS
OUTSIDE, UNNOTICED BY HIM THERE IS A WASP THAT IS WAY OFF IN
THE DISTANCE BEING CARRIED INTO A MANSION OF A FRIEND. HE
FEELS HIS CHEST AGAIN, SILENTLY LONGING FOR A NEW
EXPERIENCE. HE INJECTS SOME SENSE DRUGS TO STIFLE THE
FEELING. AS HE LAYS IN HIS BED IT TRANSFORMS TO AN OCEAN
AND HE DRIFTS OFF. WAKING TO AN AUTOMATED REMINDER OF A
PARTY HE IS TO ATTEND.


CHAPTER 4: STIMULUS


SCENE 10: INT MANSION LOW ANGLED SHOTS MOSTLY FROM SHOULDER.


CEDRIC IS AT A PARTY AT A FRIEND'S MANSION, AT FIRST THE
PARTY IS FILLED WITH THE NORMAL HEDONISM, PEOPLE FAWNING AND
DOING STATUS DRUGS AMONGST ONE ANOTHER. THE HOST OF THE
PARTY UNEXPECTEDLY BRINGS OUT A WASP AND SHOWS HER OFF TO
THE PARTY GOERS. SHE RECITES THIS GORGEOUS SERIES OF SOUNDS
AND PROJECTS LIGHTS AND HOLOGRAMS AROUND HER.SHE APPEARS TO
HAVE VENUS FLY TRAPS MAWING FROM A HOLLOW IN HER NECK AND
CHEST, AS THEY OPEN BLOOD APPEARS TO DRIP FROM THEM. THE
AUDIENCE IS CAPTIVATED AND BEGINS TO BEHAVE AS IF THEY ARE
HAVING A RELIGIOUS EXPERIENCE. CEDRIC HIMSELF BEGINS TO CRY
AS THE GROUP AROUND HIM STARTS TO UNDRESS AS THE PERFORMANCE
ENDS.







SCENE 11:INT FUTURISTIC BUSINESS STARTS WITH CENTER FRONT
SHOT AND THEN MOVES TO SINGLE TAKE SIDE FOLLOWING ACTORS.


CHAPTER 5: GUSH


THE NEXT DAY CEDRIC, WHILE AT WORK IS CHASTISING A TECH
ABOUT THE WASP HE SAW THE NIGHT BEFORE,BELIEVING IT TO BE
ONE OF THEIR PROTOTYPE COMPANY ARTIFICIAL PLEASURE UNITS. HE
INTERROGATES THE EMPLOYEE VISCERALLY TO DETERMINE WHETHER OR
NOT IT WAS ONE OF THEIR PROTOTYPES. THE TECH, TRYING TO
CONVINCE CEDRIC IT COULDN'T HAVE BEEN ONE OF THEIRS, LEADS
CEDRIC DOWN TO THE TESTING WING OF HIS COMPANY. THE
TECHNICIAN GUIDES HIM TOWARDS A SPECIFIC TESTING CHAMBER. AS
THEY ENTER THEY SEE ONE OF THEIR PROTOTYPE SEMI AUTONOMOUS
PLEASURE DEVICES DURING A TRIAL RUN. THE TECH NERVOUSLY
ORDERS THE TEST TO BEGIN. AT FIRST EVERYTHING SEEMS TO GO
WELL, UNTIL THE TEST SUBJECT REQUESTS TO BE LIGHTLY HIT
DURING THE ACT. THE PLEASURE DEVICE IN RESPONSE TO THE
REQUEST, BEGINS FEROCIOUSLY ATTACKING THE TEST SUBJECT.
AFTER SOME TIME OF THIS ANOTHER TECHNICIAN ENTERS THE ROOM
TO PULL THE PLEASURE DEVICE OFF OF THE TEST SUBJECT. IN THE
HEAT OF THE MOMENT THE PLEASURE DEVICE PULLS OFF SOME OF THE
SKIN OF THE TEST SUBJECT'S FACE AS IT IS FINALLY WRESTED
AWAY BY THE TECH. THE PLEASURE DEVICE ATTEMPTS TO ATTACK THE
TECH AND THE TECH STABS IT MULTIPLE TIMES IN THE THROAT AND
LUBRICANT SPRAYS EVERYWHERE. THE PLEASURE DEVICE SHUTS DOWN
AND LIMPLY FALLS TO THE SIDE OF THE TECH. THE TEST SUBJECT,
COVERED IN RED LUBRICANT IS HORRIFIED AS HE IS PULLED OUT OF
THE CHAMBER SCREAMING, THE TECHS TAKING HIM TO HAVE HIS
MEMORY REWORKED. CEDRIC IS VISIBLY ANGRY AS HE LEAVES THE
ROOM TO GO BACK UP TO HIS OFFICE.



SCENE 12:INT BOARD ROOM CAMERA FOCUSED ON LOW TO CENTER
ACTION TO REPRESENT DECLINE IN BOARD MEMBERS.

AT ANOTHER BOARD MEETING, A GROUP OF SHAREHOLDERS IS
WATCHING THE PRESENTATION VIA HOLOGRAM.ONE OF THEM WHO HAS
BEEN DISTRACTD THE ENTIRE TIME, INTERRUPTS THE MEETING WITH
A LOUD YELL, REVEALING THAT SOMETHING IS BEATING HIM WHILE
HE IS IN THE MEETING. CEDRIC ANGRILY REPRIMANDS THE
SHAREHOLDER AND LEAVES THE ROOM AS THE SHAREHOLDERS CUT
THEIR HOLOGRAM FEEDS AND LEAVE THE MEETING. A FEW DAYS LATER
CEDRIC BUYS OUT THE SHARES OF THE DISTRACTED SHAREHOLDER AND
HAS SECURITY BLOCK THEIR FEED AND ACCESS INTO THE COMPANY.


CHAPTER 6: SHIFTING


SCENE 13: INT SLOW SIDE CAMERA FOLLOW SINGLE TAKE.

CEDRIC IS AT HIS OFFICE LATE AT NIGHT AND HAS A DAYDREAM
ABOUT A WOMAN COVERED IN WASPS. FLOWER PETALS ARE BEING TORN
OUT OF HER SKIN AND DROPPED ALONG THE GROUND. HE WALKS
CLOSER TO THE WOMAN AND REACHES HIS HANDS INSIDE OF HER WOMB
AND FEELS A DEEP WARMTH HE HASN'T FELT IN YEARS. HE BEGINS
TO CRY AT HIS DESK.




SCENE 14:INT OF PLEXIGLASS CAGE SHOULDER VIEW FROM DAHLIA
PERPECTIVE.

IT IS REVEALED THAT ANOTHER COMPETING COMPANY IS THE ONE
CONTROLLING THE WASPS AND IS SENDING THEM OUT TO OTHER
COMPANIES WHO SEE THEM AS THREATS. THE UNNAMED MAN WHO HAS
BEEN DEVOURING THE WASPS IN AN ATTEMPT TO BECOME THEM IS
ALSO RUNNING THIS COMPANY.


DAHLIA IS IN HER CAGE WATCHING THE UNNAMED MAN DICTATE
INSTRUCTIONS TO HIS TECHNICIANS. THOUGH SHE NEVER SEES HIS
FACE, HIS ENERGY IS TERRFIYING AND HE COMES OFF AS
UNEMPATHETIC. ONE OF THE TECHNICIANS POINTS AT DAHLIA DURING
THE UNNAMED MAN'S DIRECTIONS AS IF TO SIGNAL SHE IS NEEDED
FOR SOMETHING IMPORTANT. ONE OF THE TECHS COMES DOWN TO
INSPECT THE CELLS THAT ALLOW DAHLIA TO SHAPE SHIFT AND
SPRAYS HER WITH CONTROL CHEMICALS. THE TECH IS INTERRUPTED
IN THE PROCESS AS ANOTHER WASP GOES HAYWIRE IN THE NEXT
CONTAINMENT ROOM. THE TECH RUSHES TO SEDATE THE WASP AND
DAHLIA WATCHES ON AS THE OTHER WASP PULLS THE HORRIFIED
MAN'S ARM OFF AND INTO HERSELF, AND THEN BEGINS TALKING IN
THE EXACT SAME VOICE THE MAN HAS.




SCENE 15:EXT OF RICH NEIGHBORHOOD LONG WIDE TRACKING SHOT
WITH CEDRIC IN FRONT RIGHT OF FRAME.

CEDRIC IS WALKING IN HIS NEIGHBORHOOD WITH A STATUS DRUG
NEEDLE IN HIS ARM AND CRYING AS HE WALKS TOWARDS HIS HOUSE.
IN THE PERIPHERY THERE ARE WASPS WITH WINGS PRESSED AGAINST
THE WINDOWS OF SEVERAL MANSIONS TO THE SIDE OF HIM. HE IS
TOO BUSY ABSORBED IN HIS HIGH AND FEELINGS TO NOTICE. HE
EVENTUALLY ARRIVES IN HIS HOME AND WE SEE COLORFUL CHEMICAL
TRAILS INSIDE HIS HOUSE. AS HE ENTERS HIS ROOM HE SEES
DAHLIA LYING ON HIS BED NAKED. SHE LOOKS AT HIM AND ASKS
"WHO DO YOU WANT ME TO BE?"


CHAPTER 7: HORDE


SCENE 16:INT OF A RED ROOM, CAMERA WIDE SHOT FROM THE SIDES
OF THE ACTORS.

THE UNNAMED TECHNICIAN AND WASP CONTINUE TO FALL DEEPER
INTO THEIR SEX ACT. THE WASP SEES HERSELF AS HAVING A HOLLOW
IN HER CHEST AND NECK THAT TREE LIMB LIKE HANDS ARE STARTING
TO SPROUT FROM. RED MIST STARTS TO POUR FROM HER SKIN AND
THE MAN'S EYES WIDEN AS IF HE WERE ON HALLUCINOGENS.


SCENE 17: DAHLIA IS DAY DREAMING, THE CAMERA IS FOLLOWING
HER FROM AN ISOMETRIC ANGLE AS SHE ENTERS A HIVE.



CHAPTER 8: QUEEN


DAHLIA DAYDREAMS THAT SHE IS WANDERING THROUGH HER FORMER
HIVE. INSIDE SHE FINDS HER QUEEN AS OTHER WASPS BEGIN TO
SURROUND HER. SHE APPROACHES THE QUEEN AND HOLDS HER HANDS,
A SET OF SHARP TEETH EMERGE FROM HER CHEST AND BEGIN TO
DEVOUR THE QUEEN. SHE WAKES UP FROM THE DAY DREAM WITH
CEDRIC GOING DOWN ON HER.



SCENE 18: INT OVERHEAD SHOT THAT THEN TRANSITIONS TO LOW
SHOT FOCUSING ON BACKS AND LEGS OF ACTORS.

AT ANOTHER MANSION SOMEWHERE, A SCENE OF MANY WEALTHY MEN
WORSHIPPING SOME WASPS IS HAPPENING. THEY ALL TAKE OFF THEIR
CLOTHES AND START KNEELING INTO THE WASPS. THE WASPS PLACE
STINGERS INTO THEM AND THE MEN'S EYES EXPAND AS THEY KISS
THE SKIN OF THE WASPS,LOSING THEMSELVES IN THE MOMENT.
OUTSIDE THE MANSION PEOPLE ARE POUNDING ON THE DOOR TRYING
TO GET IN. THE WEALTHY MEN ARE HYPNOTIZED AS THE WASPS OPEN
THEIR MOUTHS AND DRIP RED SYRUP INTO THEIR THROATS. THE MEN
KNEEL FURTHER INTO THEIR TRANCE, BEING HELD BY THE WASPS,
UNABLE TO BREAK THEIR CATHARTIC GAZE.


SCENE 19:INT BOARD ROOM CAMERA ANGLED FROM FLOOR UP TO
REPRESENT FURTHER DECLINE.


CHAPTER 9: UNNATURAL EMBRACE


ANOTHER BOARD MEETING TAKES PLACE. THIS TIME ONLY THREE OF
THE BOARD MEMBERS ARE EVEN LEFT. THEY SEE THE PROFITS AGAIN
RISING BUT ARE VISIBLY DISINTERESTED IN THE PRESENTATION.
CEDRIC TOO IS DISTRACTED AND SPENDS ALL OF HIS TIME
FANTASIZING ABOUT BECOMING DAHLIA. HE SEES HIMSELF SLOWLY
MELTING INTO HER BODY AND SUDDENLY BEING HER. HE THEN SEES
HIMSELF FROM HER POINT OF VIEW INVITING HIS CURRENT VERSION
OF HIMSELF TO TAKE PLEASURE IN HER BODY. AFTER THE MEETING
ENDS, HE GRABS A SCULTPING KIT FROM THE ENGINEERING WING. IN
THE BACKGROUND THERE ARE FULLY TESTED AND READY PLEASURE
DEVICES SUCCESFULLY BEING USED ON SOME TEST SUBJECTS. HIS
TECHS ARE CELEBRATING IN ONE OF THE CLEAR ROOMS BUT CEDRIC
IS TOO DISTRACTED TO NOTICE AS HE TAKES THE SCULPTING KIT
USED TO CREATE THE PROTOTYPES OUT OF THE BUILDING WITH HIM.



CHAPTER 10: FILTH


SCENE 20:EXT MILITARY STYLE DRESS CAMERA PLACED CENTER AND
BEHIND THE PMC FOCUS ON THEIR BACKS AND THE DOOR.

AT THE OTHER MANSION, THE PEOPLE WHO WERE TRYING TO GET
INTO THE MANSION EARLIER HAVE RETURNED A FEW DAYS LATER WITH
MEMBERS OF A PMC THEY HIRED. THE PMC UNITS BEGINS BUSTING
THE DOOR TO THE MANSION DOWN. THE FRIENDS COME INTO A SCENE
OF MEN WITH THEIR BELLIES ENLARGED AS IF THEY ARE PREGNANT.
THEIR EYES ARE VACANT WITH ENLARGED SMILES ON THEIR FACES.
THE SOUNDS OF WASP WINGS FLUTTERING VIOLENTLY GROW LOUDER
AND LOUDER UNTIL IT DROWNS THE SCENE OUT.


SCENE 21:INT RED BEDROOM DECORATED IN ALMOST VICTORIAN ERA
STYLE. CAMERA WIDE SHOT FROM SIDE AS CEDRIC MOVES TO DAHLIA.

CEDRIC, IS IN HIS ROOM WITH DAHLIA. HE HAS CONSTRUCTED AN
ALTER AROUND HER MADE OF HANDS AND VARIOUS DOLL LIKE BODY
PARTS. HE HAD PREVIOUSLY USED THESE PARTS AS THE MODELS FOR
WHAT WOULD BECOME HIS PLEASURE DEVICES. THEIR ARE CHEMICAL
COLORS EVERYWHERE IN THIS ROOM.


SCENE 22:INT SAME SHOT AS EARLIER SCENES TRANSITIONS TO
OVERHEAD SHOT AS TECH IS DEVOURED.

THE UNNAMED TECHNICIAN AND WASP ARE REACHING FULL
CACOPHANY. THE WASP FULLY OPENS HER CHEST AND ROTATING HANDS
WITH EYES AND TEETH REACH OUT OF HER AND BEGIN TO GRAB THE
MAN'S SKIN. HIS SKIN SLOWLY, SENSUALLY FALLS OFF OF HIS BODY
AND THE MUSCLE IS REVEALED UNDERNEATH. THE HANDS GROWING OUT
OF THE WASP PULL HIM FULLY INTO HER AS THE TEETH GET SHARPER
AND LARGER.



SCENE 23:INT SIDE SHOT AS CEDRIC MOVES CLOSER TO ISO SHOT.


DAHLIA IS SHAPESHIFTING UNCONTROLLABLY NOW AS CEDRIC
APPROACHES HER WITH THE SCULPTING TOOLS HE TOOK FROM HIS
COMPANY. HE GETS ON TOP OF HER AND GENTLY BEGINS CUTTING HER
CHEST OPEN, SIMILARLY TO HOW A SURGEON WOULD COMMIT OPEN
HEART SURGERY. HE PULLS BACK LAYERS AND LAYERS OF FLESH AND
SINEW. DAHLIA'S FACE SYMPATHETICALLY BEGINS TO OPEN AS HER
CHEST OPENS.


SCENE 24:INT ISO SHOT FOCUSED ON THE ANGLES OF THE WALL TO
CREATE TRIANGLE STYLE EFFECT.

THE UNNAMED WASP GROWS AND SHIFTS INTO A DOLL LIKE FORM.IT
QUICKLY MOVES LITHE AND INSECT LIKE ACROSS THE FLOOR AND
THEN EXPOSES HER BACK WHERE METAL WINGS START TO DIG THROUGH
HER SKIN AND HER FINGERS ELONGATE TO BECOME EFFECTIVE
DIGGING TOOLS. SHE LEANS UPWARDS TOWARDS THE CEILING AND
SCREAMS WHILE THE WINGS AND CLAWS GET LARGER.SHE BURROWS
UPWARD TO ONE OF THE CELLS WHERE THE CURRENT QUEEN IS BEING
HELD. SHE LETS THE QUEEN OUT AND STARTS CLAWING OUT AN EXIT
FOR HER AND THE OTHER WASPS.


CHAPTER 11: FEAST


SCENE 25:INT FULL ISO SHOT FROM RIGHT ANGLE FOCUSED ON THE
OPEN CAVITY IN DAHLIA.

CEDRIC HAS FLAYED MOST OF DAHLIA'S FLESH TO THE SIDE AND
BEGINS LAUGHING. WE SEE A PARTIAL PIECE OF DAHLIA'S FACE
STILL HANGING FROM WHERE SHE WAS SPLIT WITH YELLOW LIGHTS
EMANATING FROM HER EYE, IMPLYING HER CONNECTION TO THE CURRENT
QUEEN AND HER METAMORPOSIS INTO THE NEW
QUEEN.

SUPERIMPOSED OVER
THIS SCENE IS THE IMPRISONED WASPS BEING FREED AND WORKING THEIR
WAY OUT TO OTHER SECTIONS OF THE BUILDING.



SCENE 26:INT SIDE SHOT AS CEDRIC ENTERS DAHLIA.

CEDRIC BEGINS TO WORK HIS WAY INTO DAHLIA'S BODY AND THE
FIERY YELLOW COLOR IN DAHLIA'S EYE BEGINS TO INTENSIFY. WE
SEE FOOTAGE OF THE QUEEN WASP RAISING HER ARMS AND WAVING
CHECMICALS TO ATTRACT MORE OF HER KIND TO THE CAGES, THE
QUEEN'S EYE IS THE SAME COLOR AS DAHLIA'. CEDRIC
MAKES HIS WAY FURTHER AND FURTHER INTO DAHLIA AND DAHLIA
STARTS TO REFORM BIT BY BIT.

SCENE 27:WIDE SHOT SHOWING THE UNNAMED MAN FROM HIS BACK AS
HE IS SURROUNDED AND EATEN.

THE DRONE WASPS ARE TEARING OUT OF THEIR CONFINES AT THE
UNNAMED MAN'SCOMPANY. THE UNNAMED MAN RIPS OFF AN ARM OF ONE
OF THE DRONES AND PROCEEDS TO KILL HER WITH IT, BUT NOT
BEFORE A STINGER OF HERS GOES INTO HIS STOMACH. THE DRONES
MAKE THEIR WAY OUT OF THEIR CAGES AND WE SEE THE UNNAMED MAN
FALL TO HIS KNEES AS THE DRONES SURROUND HIM, VIOLENTLY
FLAPPING THEIR WINGS AS THEY MOVE TOWARDS HIM TO DEVOUR HIM.
SCENE 28: INT OVERHEAD SHOT CENTER DAHLIA.

DAHLIA IS REFORMING EVEN MORE AND BEGINNING TO SMOTHER
CEDRIC IN HIS ARROGANCE. METAL LIKE WIRES BEGIN TO COVER
CEDRIC'S BODY, WRAPPYING HIM IN AN ALMOST MUMMIFIED STATE.
AS DAHLIA'S SINEW BEGINS TO BE COVERED AGAIN IN FRESH SKIN
THE PIECES OF HER BODY BEGIN TO INTERLOCK BACK IN PLACE. A
SCREAMING, TERRIFIED CEDRIC IS SHOWN AS HE IS SLOWLY
DIGESTED AND ABSORBED INTO DAHLIA. THE YELLOW GLOW IN HER
EYES REACHES IT'S PEAK AS A SMILE CREEPS ACROSS HER FACE.
SCENE 29:INT HIVE LOW CENTER SHOT WITH QUEEN IN CENTER
FRONT.


CHAPTER 12: DRONES

THE DRONES THE QUEEN HAS CALLED BACK ARE IN THE THRONE
ROOM. THE QUEEN LOOKS AT THEM LOVINGLY AND MOTIONS THEM TO
COME TO HER. THE DRONES BEGIN TO INTIMATELY EAT HER AS WELL.
AN ALMOST ROMANTIC SCENE OCCURS AS THEY DEVOUR HER. THE
FORMER SINGULAR GLOW IN THEIR EYES IS REPLACED WITH AN
INDIVIDUAL ONE FOR EACH OF THEM.


CHAPTER 13: REND OUR WAY THROUGH

SCENE 30:AN OVERHEAD SHOT OF DAHLIA'S FULL BODY CENTERING
ONE HER CHEST

DAHLIA LAYS BACK WHILE A PAIR OF HANDS AND PART OF A FACE
PRESSES UP AGAINST THE SKIN OF HER STOMACH.